Javier Bardem : With Dune I had my childhood dream realized
Some people have a special gaze, so deep as to result hypnotic. Javier Bardem is one of them while he talks about himself simply...
Penck – Chaos VS world order
The years that Ralf Winkler (Penck) spent in Dresden from the Forties to the Sixties were the toughest. As a child in post-war Germany,...
Interview with Jamie Lee Curtis : When fear becomes added value
She cannot stand the horror film genre that made her famous, but she is also grateful to it. Jamie Lee Curtis is fearful and...
Martin Parr : Photography & Sport a look from the bleachers
The tennis court enters, literally, in the space of Camera, Italian Centre for Photography, in Turin, before, during, and after the Nitto ATP Finals,...
Osvalda Pucci : The river of Existence
Catching the singularity in the spectacle of the world and things is not an easy task; neither is the contingent note in its intermingling...
David Begbie : Immanence
The artists, of all trends, of all styles, of all ancestry and descent, are the protagonists of our scenography of show and virtuality, apparently...
Lucio Fontana : Beyond Matter
Timeliness is fundamental in determining the fate of a complex event such as that of art, which belongs to the system of economy and...
Pedro Almodóvar iterview: I always choose emotions
Enthusiastic, irreverent, and master in bitter-sweet comedy, Pedro Almodóvar is the most popular director of Spanish film and is internationally renowned. After globally successful...
Domeico Gnoli: This is not an Armchair
In the Sixties, Rome was an exciting city: art, cinema, theatre, and literature were in full swing. Excellent personalities such as Giorgio De Chirico Pictor...
Edward Hopper
It is an understatement to speak of a stylistic code when trying to approach Edward Hopper's works. Certainly his distinctive feature lies in the...
