Giuliana Maria Maddalena Fusari : The substance of spirit
Giuliana Maria Maddalena Fusari’s favourite material is poetry, intended as the lyrical quality that gives voice to the spirit. Art critic Vittorio Sgarbi provided...
Virgilio Guidi’s Venetian Light
From the Roman School with the famous paintings of women blessed by maternity to the iconic canvases of the lagoon and the Venetian palaces,...
Interview Agron Hoti
Agron Hoti was born in Albania in 1970; since his childhood, he has distinguished himself for his artistic talent. His life was turbulent and...
Penck – Chaos VS world order
The years that Ralf Winkler (Penck) spent in Dresden from the Forties to the Sixties were the toughest. As a child in post-war Germany,...
Osvalda Pucci : The river of Existence
Catching the singularity in the spectacle of the world and things is not an easy task; neither is the contingent note in its intermingling...
Lucio Fontana : Beyond Matter
Timeliness is fundamental in determining the fate of a complex event such as that of art, which belongs to the system of economy and...
Domeico Gnoli: This is not an Armchair
In the Sixties, Rome was an exciting city: art, cinema, theatre, and literature were in full swing. Excellent personalities such as Giorgio De Chirico Pictor...
Edward Hopper
It is an understatement to speak of a stylistic code when trying to approach Edward Hopper's works. Certainly his distinctive feature lies in the...
Omar Hassan
Even in this difficult times, London’s art galleries continue to keep high the level of the cultural offer by transferring the exhibiting scene from...
Francis Bacon e George Dyer. The painting of the rotten apple
Who would undo the body from its bone structure to show its raw meat, mixing bones, guts, skin and hair in a single organic...
